Marshall Crenshaw - Live Webcast - Friday, October 23, 2009 12Noon EST
10.22.09
It's that time...time for one of our famous Parlour Sessions! WKZE.COM
See a live Webcast of the WKZE Parlour Session with Marshall Crenshaw on Friday, October 23rd from noon to 1 pm.
Marshall Crenshaw - Live WKZE Parlour Session
Friday, October 23, 2009 12:00 Noon EST
The streaming webcast is coming from Ustream.tv's free service, and includes occasional advertisments at the bottom of your screen.
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Over 25 years since breaking through to critical and commercial acclaim with his 1982 self-titled debut and its infectious, era-defining pop hit "Someday, Someway," Marshall Crenshaw creates an incredible new chapter in his career with his 429 Records debut Jaggedland. Crenshaw's first studio recording in more than six years is his most musically dynamic and lyrically intimate collection yet.
Born in Detroit, Michigan, Crenshaw began playing guitar at age ten and he received his first break playing John Lennon in the off-Broadway company of Beatlemania. In 1987, he played Buddy Holly in the Richie Valens biopic "La Bamba."
Living in NYC, he recorded the single "Something's Gonna Happen" for Alan Betrock's Shake Records, which led to a deal with Warner Bros. His debut album, Marshall Crenshaw was acclaimed as a pop masterpiece upon its release in 1982 and established him as a first-rate songwriter, singer and guitarist. The record spawned the Top 40 single "Someday, Someway," which rockabilly singer Robert Gordon scored a hit with a year earlier. Crenshaw's second album, 1983's Field Day, was another critical smash and led to a successful slate of 20-plus years of studio recordings that offered a fascinating evolutionary journey through an array of musical landscapes.
A quote from Trouser Press sums up Marshall Crenshaw's early career: "Although he was seen as a latter-day Buddy Holly at the outset, he soon proved too talented and original to be anyone but himself." All Music Guide captured Crenshaw's vibe perfectly: "He writes songs that are melodic, hooky and emotionally true, and he sings and plays them with an honesty and force that still finds room for humor without venom."
Over the last few years, Crenshaw has played 40 - 50 shows a year on what he dubs "the NPR singer-songwriter circuit." Says Crenshaw, "This album took a lot of wear and tear on my emotions, but in the end I think it's one of my best ever and I am so excited to have worked with so many of my favorite players on it. When people ask me why I keep making music after all these years, I have a simple answer: because I have to. For lack of a more colorful term, there is truly something magical to it and I never take it for granted."
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